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    Good point, but I don't see Art emerging...

    Good point, but I don't see Art emerging completely unscathed here, either (he is looking down the barrel of a gun). Browneye, Lion, what say you: black or white outcome die?
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    I apologize for the delay guys, it took me quite...

    I apologize for the delay guys, it took me quite a bit longer than I thought to throw this together. I hope the extra time I spent on it paid off.

    Before I start, a slight correction: Art is...
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    Sorry about the delay guys; I sprained my ankle...

    Sorry about the delay guys; I sprained my ankle yesterday so I'm just now getting around to writing my post. It should be up by the end of the day.

    UPDATE: My post's mostly done, I'll be putting...
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    Or there could be a struggle/near escape. ...

    Or there could be a struggle/near escape.

    We've got some great possibilites here, let's play things out and see how it turns out. Get us started here, Kir. Browneye can go from there, if he likes,...
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    Act 1, Scene 5--Art and James devise a plan to...

    Act 1, Scene 5--Art and James devise a plan to rob the stash

    "Better hope he doesn't have a flashlight. Even if he doesn't, we'd have to time it just right..."

    Art cast his eye over the...
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    Sorry guys, work's been keeping me really busy...

    Sorry guys, work's been keeping me really busy lately. Without further ado, here is the beginning of Act 5:

    Act 5: Art and James arrive at Burner and Spooks' stash

    —Two Days Later—

    Art and...
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    Alright, Lion gets another die. I'll establish...

    Alright, Lion gets another die. I'll establish Art's scene within the next day or two. I think it's about time for the brothers to rob the stash.

    ----------------------------

    Main Street Setup...
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    Kir's right, Brown. in Act 1 the establishing...

    Kir's right, Brown. in Act 1 the establishing player has to give the die to someone else. In Act 2, however, the establishing player keeps the outcome die (this adds incentive to establishing scenes...
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    Who are you going to give the black outcome die...

    Who are you going to give the black outcome die to, Browneye?

    ----------------------------

    Main Street Setup

    MarcoSnow: Arthur Spiller, proprietor of Spiller's Funeral Services
    R) 1....
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    Then again, Art does seem pretty resigned to his...

    Then again, Art does seem pretty resigned to his fate:
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    [Alright, it's been three days Kir. I'll go ahead...

    [Alright, it's been three days Kir. I'll go ahead and wrap up the diner escape.]

    James crossed the modest kitchen, blew the lock off the service door with his sidearm and shouldered through into...
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    Act 1, Scene 3: Jed and James try to escape the...

    Act 1, Scene 3: Jed and James try to escape the burning diner

    Within moments, the flames from the vehicle's burning wreckage leapt to the wooden portions of the facade, swiftly enveloping it in a...
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    Plot-wise, it makes sense for James to escape. Do...

    Plot-wise, it makes sense for James to escape. Do you think Spooks would be satisfied with just leaving them to burn to death, though? He seems like the type who would like to get his hands dirty....
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    Wasn't expecting that. Way to shake things up. ...

    Wasn't expecting that. Way to shake things up.

    What type of diner do you have in mind here? Are you thinking something along the lines of a classic prefabricated diner (with their signature ...
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    [Chips? this is the 'murrican South, boy. We call...

    [Chips? this is the 'murrican South, boy. We call 'em fries on this side of the Atlantic.]

    Jed stirred, blood still pouring profusely from the deep gash on his head. "Watch out for Spooks..." he...
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    Good start. Take it away, Kir. Oops, I...

    Good start. Take it away, Kir.



    Oops, I done goofed. Fixed.



    I was thinking the same thing. Art might get a tip off from one of his business connections in town, allowing the brothers to...
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    I've update the ol' pile of dice. Browneye, let...

    I've update the ol' pile of dice. Browneye, let us know if you want to establish or resolve. Remember, let other characters play their parts in the scene. Don't forget to add a heading with "Act...
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    Or Art could get it through his business...

    Or Art could get it through his business connections. Whatever the case, I'm sure it will work itself out in play. That said, I think that dealing with the Spooks/James confrontation is the most...
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    What Kir said, Browneye. It was Burner's...

    What Kir said, Browneye. It was Burner's spotlight scene. The problem was that Lion didn't let you contribute to your half of the scene (as I mentioned earlier). Water under the bridge now. Hopefully...
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    Yep, it was a house/cabin in the woods near town,...

    Yep, it was a house/cabin in the woods near town, it may be abandoned, allowing for plausible deniability on Burner's part, or it may actually belong to Burner, counting on its concealment from the...
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    Vaya con dios, James.

    Vaya con dios, James.
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    That was damn good. I'd like to stick with that...

    That was damn good. I'd like to stick with that as is, but there are a few problems:

    First off, Browneye should have "played" Spooks, voicing his part of the conversation (i.e. your character...
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    The stash hasn't been robbed yet, which makes...

    The stash hasn't been robbed yet, which makes this the perfect time to establish the character dynamic between Burner and Spooks/James (or both in the same scene) before things get really crazy...
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    Thank ya kindly, Kir. You're up next Lion....

    Thank ya kindly, Kir.

    You're up next Lion. Will you be establishing or resolving your character's scene?

    ----------------------------

    Main Street Setup

    MarcoSnow: Arthur Spiller,...
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    Art raised a glass in return. "To pa." He took...

    Art raised a glass in return. "To pa."

    He took a drink, his expression regretful. If James could be summed up in a few words, they would be "loyal to a fault". Art hadn't expected any less, but...
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