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  1. Replies
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    Good start. Take it away, Kir. Oops, I...

    Good start. Take it away, Kir.



    Oops, I done goofed. Fixed.



    I was thinking the same thing. Art might get a tip off from one of his business connections in town, allowing the brothers to...
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    I've update the ol' pile of dice. Browneye, let...

    I've update the ol' pile of dice. Browneye, let us know if you want to establish or resolve. Remember, let other characters play their parts in the scene. Don't forget to add a heading with "Act...
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    Or Art could get it through his business...

    Or Art could get it through his business connections. Whatever the case, I'm sure it will work itself out in play. That said, I think that dealing with the Spooks/James confrontation is the most...
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    What Kir said, Browneye. It was Burner's...

    What Kir said, Browneye. It was Burner's spotlight scene. The problem was that Lion didn't let you contribute to your half of the scene (as I mentioned earlier). Water under the bridge now. Hopefully...
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    Yep, it was a house/cabin in the woods near town,...

    Yep, it was a house/cabin in the woods near town, it may be abandoned, allowing for plausible deniability on Burner's part, or it may actually belong to Burner, counting on its concealment from the...
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    Vaya con dios, James.

    Vaya con dios, James.
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    That was damn good. I'd like to stick with that...

    That was damn good. I'd like to stick with that as is, but there are a few problems:

    First off, Browneye should have "played" Spooks, voicing his part of the conversation (i.e. your character...
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    The stash hasn't been robbed yet, which makes...

    The stash hasn't been robbed yet, which makes this the perfect time to establish the character dynamic between Burner and Spooks/James (or both in the same scene) before things get really crazy...
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    Thank ya kindly, Kir. You're up next Lion....

    Thank ya kindly, Kir.

    You're up next Lion. Will you be establishing or resolving your character's scene?

    ----------------------------

    Main Street Setup

    MarcoSnow: Arthur Spiller,...
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    Art raised a glass in return. "To pa." He took...

    Art raised a glass in return. "To pa."

    He took a drink, his expression regretful. If James could be summed up in a few words, they would be "loyal to a fault". Art hadn't expected any less, but...
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    Alright Kir, let's wrap this scene up. If anyone...

    Alright Kir, let's wrap this scene up. If anyone else has any contributions or suggestions, feel free to throw them out there.
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    Lion, you okay with a black outcome die?

    Lion, you okay with a black outcome die?
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    Art gratefully accepted the glass of whiskey,...

    Art gratefully accepted the glass of whiskey, took a sip. "Grandpa's old hunting lodge upstate? Sounds like as good a place as any to lie low."

    He paused for moment, taking stock. "Gas shouldn't...
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    Act 1, Scene 2: Art and James meet up at...

    Act 1, Scene 2: Art and James meet up at Spiller's Funeral Services

    “Down here, James” came his brother’s voice from below.

    Descending into the preparation room, James found his brother hard at...
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    Very good point, Art got off easy this time.

    Very good point, Art got off easy this time.
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    If you're establishing Kir, you set the who,...

    If you're establishing Kir, you set the who, what, where, and when the scene is occurring and we'll toss out the outcome die. If you want to resolve, it's the other way around, other players set the...
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    As soon as Art was certain Spooks had taken his...

    As soon as Art was certain Spooks had taken his leave, he ran upstairs to fetch a first aid kit and a pack of frozen peas to reduce the swelling.

    "Jesus Christ," cursed Art as he applied pressure...
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    Are you kidding, that sounds great! Daryl's...

    Are you kidding, that sounds great! Daryl's injury/death might be just the thing to start Art down the road to revenge (injury might be best at this juncture). Not only that, it would also...
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    Are you sure you want to just leave things there,...

    Are you sure you want to just leave things there, Browneye? I was hoping for a little bit more closure (after all, Spooks was technically still in the basement by the end of your part of the scene),...
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    I'll wrap this scene up once Spooks makes his...

    I'll wrap this scene up once Spooks makes his exit. For now, let's wait and hear from Browneye.
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    It's alright, this is a new experience for...

    It's alright, this is a new experience for everybody. It goes without saying that there will be a bit of a learning curve. Once we get into the swing of things, all of this should become second...
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    Don't worry about the die just yet, they only...

    Don't worry about the die just yet, they only come into play during the Tilt and the Aftermath. For now, all the die are used for is to denote a positive or negative outcome in the ongoing scene...
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    Fair point, my concern was just that you'd be...

    Fair point, my concern was just that you'd be unable to distinguish the various types of formatted text (bold or italics) if you were trying to get caught up on the Tapatalk app. Consider the...
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    [Way to get things started off right, Browneye! I...

    [Way to get things started off right, Browneye! I can already tell that Spooks is gonna be causing problems for everyone involved in this Fiasco.

    There's a few things I’d like to point out,...
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    [This kind of goes without saying, but I’m...

    [This kind of goes without saying, but I’m establishing this scene, which means that at any point someone (other than myself) can throw out a die to decide the outcome (white for good, black for...
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